8/30/2023 0 Comments Editready vs adobeAdded support for Sony Uncompressed RAW and X-OCN formatsĪ few months ago, Hedge announced that Sony and Canon RAW formats would soon join ARRIRAW, BRAW, ProRes RAW, and RED. Moreover, this new release has been programmed to exploit the capabilities offered by Apple’s Metal architecture in Mac environments. Indeed, all colorspace conversions and calculations are performed using a high-precision floating-point mode and by complying with the camera manufacturers’ color models. EditReady 22.2: i mproved accuracyĪlong with a new color conversion pipeline, this new version of EditReady also brings greater processing accuracy. By following this process, the look of on-set and creative LUTs is preserved throughout the whole pipeline. The software then automatically applies the correct output LUT after the colorspace conversion is complete. Moreover, you can also set a specific camera manufacturer’s color model as your target colorspace, so there’s no compromise on dynamic range. Then, the software takes care of the rest by properly handling the colorspace conversion. Image credit: HedgeĪll you have to do is choose between an SDR (Rec.709) or an HDR workflow (PQ or HLG). Hence, users don’t need to worry about diving into the technicalities of colorspaces, gamuts, and gamma curves. With this new panel, the software takes the original, bulky RAW footage and automatically converts it into a more manageable format (such as ProRes or DNx). The latest version of EditReady introduces a new Color Conversion Panel that aims at improving efficiency and automating color management workflows, while still providing manual control and full flexibility if needed. Image credit: Hedge EditReady 22.2: new Color Conversion Panel These also include EditReady, a transcoding tool that is now receiving an update fully focused on preserving the look of your original footage, while providing more editable files. The company offers a series of tools to make life in post easier. Here’s where Hedge’s mission of automating and simplifying modern post-production workflows comes in. This is especially true when working with mixed footage from multiple camera brands. However, today’s jungle of different color gamuts and gamma curves can cause quite a few headaches to post-production professionals. The world of high-resolution RAW and HDR video is making us experience true-to-life images like never before. EditReady 22.2 now comes with a new color conversion panel, improved precision, and added support for Sony Uncompressed RAW and X-OCN formats. Hedge has recently introduced an update for their transcoding software with a focus on simplifying color management workflows. keyboard_arrow_rightCameras of the Year.keyboard_arrow_rightGear Guides by Type.keyboard_arrow_rightGear Guides by Budget.Paid application included in Creative Cloud suiteįamous app to transcode in various formats, very useful mainly to transcode to GoPro Cineform. Perfect to encode in H.264/x264 small files or optimized for various devices. Very good performance to transcode to ProRes. A Swiss Army Knife for video than can almost do everything (transcode to ProRes, DNxHD/HR, resize, cut without compression, audio tools and so more).įree version limited to 1min / Paid ($50) RockyMountains Movie Converter by Rock-SanĮxcellent and very simple app to transcode to ProRes, H.264 and H.265, apply LUT, resize or change frame rate.įreeware without limitation, available in french and englishĬertainly the best utility in the domain. User-interface is intended more for advanced users. A lot of features! Able to manage several codecs and containers. Very useful utility to transcode to ProRes or DNxHR, H.265, check scopes, resize, apply LUT, add timecode, change frame rate, convert anamorphic and more. List of the best utilities to transcode in ProRes, DNxHD/HR, GoPro Cineform, etc.įree version with limitations / Paid ($20)
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |